글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Since plenty of people don't have adequate blood to interact in physically demanding activity that has a complete belly, the human body will rebel at first by building you're feeling awful, but That is an envisioned response. I would like the crowd to truly feel by itself very well addressed, Especially as it life and lets me Dwell; The posts are set, the booth of boards finished. Ye crowd more near! My very own undertaking has been cheered by the invention, the far more closely I reproduced the language of the original, the greater of its rhythmical character was transferred at the same time. I feel impelled, its this means to ascertain,-- With truthful purpose, after for all, The hallowed Authentic To vary to my beloved German. Effectively-built you happen to be, 'tis not to be denied, The rest a bold handle will acquire you; Should you but in yourself confide, Simultaneously confide all others in you. As a result, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That is definitely my proper component. Hayward's totally omits the aspect of poetry.
Hayward's ear didn't dictate to him the necessity of preserving the initial rhythm. I honor him with the affected person and conscientious labor he has bestowed upon his translation,--I simply cannot but feel that he has himself illustrated the unsoundness of his argument. Poetry is just not simply just a fashion of expression: it is the kind of expression Unquestionably needed by a particular course of Thoughts. The English ear is suspicious of recent metres and unaccustomed forms of expression: you can find important detectives on the track of every author, as well as a violation on the approved canons is accompanied by a summons to judgment. In Poetry which endures by its have inherent vitality, there isn't any forced union of these two components. The author's thought is stripped of a last grace in passing through his mind, and often presents a great deal the same resemblance to the first being an unhewn shaft on the fluted column.
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